I am mainly inspired by the classical models of the Cremona school, filtering them with the methods of the italian prestigious 20th century tradition rooted in the figure of the violin maker Giuseppe Fiorini (1861-1934) to which I humbly feel I belong.
The starting point of each of my instruments is based on the use of the classical internal mould. I dedicate a lot of attention and time to the construction phases that determine the sound. My production ranges from three to five instruments a year.
Out of respect and personal choice, I do not make copies and antiquing.